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Ansel Adams at 100, by John Szarkowski
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Amazon.com Review
Ansel Adams at 100 celebrates the centenary of one of America's best-loved photographers. This superlative catalog of an exhibition organized by San Francisco Museum of Modern Art presents the most dramatic and the most delicate of Adams's formal compositions, from spectacular mountainscapes to grasses on a pond, all reflecting his avowedly religious relationship to nature. Previously unpublished examples of Adams's early images show how he worked through the day, using changing light and different vantage points to interpret a subject. A fascinating comparison of his darkroom techniques is given in two printings of a 1948 negative of Mount McKinley, made in 1949 and 1978 to very different effects, one brooding and luminous, the other crisp and monumental. (The conventional wisdom is to prefer the earlier, but this reviewer loves them both.) The text by John Szarkowski, director emeritus of New York MoMA's photography department, gives biographical details and gracefully places Adams in the history of 20th-century photography and the conservation movement. Impeccable technical standards were a hallmark of Adams's work, and this book follows his tradition. Each black-and-white image is a tritone, meaning that it was printed from three different plates corresponding to different parts of the original photograph's gray scale, resulting in an extremely rich chromatic range. Light really does appear to glisten off a wet rock, and white aspens to glow. The images have been very carefully chosen, each page of a double spread complementing the other. The book's paper is custom-made, it is bound in linen and presented in a linen slipcase, and a complimentary facsimile of one of Adams's icons is included. The whole adds up to a most unusual and pleasing artifact: Ansel Adams at 100 consciously sets out to be the definitive study of a master, and it succeeds. --John Stevenson
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From Publishers Weekly
Grandly proportioned, linen-bound and graceful as the images it conveys, Ansel Adams at 100 commemorates the birth of the famous native San Franciscan photographer with 114 of Adams's rich, beloved images spanning his oeuvre, and some delightful photos of the artist. The book and accompanying centennial exhibit at San Francisco's Museum of Modern Art (Aug. 2001-Jan. 2002), curated by John Szarkowski, director of the department of photography at New York's Museum of Modern Art, reevaluate the impact of Adams's work on photography, landscapes and the audience. "His pictures have enlarged our visceral knowledge of things that we do not understand," writes Szarkowski. He relates specific epiphanies that propelled Adams's evolution as an artist, such as when he shot Monolith, the Face of Half Dome, having suddenly realized that using a specific filter would "deepen the tone of the sky almost to black" and capture his emotional experience of the vista. Copyright 2001 Cahners Business Information, Inc.
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Product details
Hardcover: 200 pages
Publisher: Ansel Adams; Slp edition (August 2, 2001)
Language: English
ISBN-10: 9780821225158
ISBN-13: 978-0821225158
ASIN: 0821225154
Product Dimensions:
13 x 1.5 x 14.5 inches
Shipping Weight: 7.9 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
35 customer reviews
Amazon Best Sellers Rank:
#69,747 in Books (See Top 100 in Books)
"AA at 100" is recognized as the consummate volume of his work. Superblyreproduced images are likely the closest most of us will get to seeing his workas he visualized. For anyone seriously interested in photographic legacy and history, the bookis a 'must have,' along with "Edward Weston's 50 Years."An excellent companion volume to 'AA at 100' is Adams' "Examples: The Making of40 Photographs." In this book, AA offers both technical and anecdotal notes for manyof his iconic images.
In celebration of the 100th anniversary of Ansel Adams' birth, John Szarkowski has selected what he considers Adams' finest works and offers a critique that ranks the photographer as one of the great artists of our time.Szarkowski, Director Emeritus of the Department of Photography at The Museum of Modern Art in New York City, often selects unexpected and unfamiliar prints in his collection. The book is great in every way. It was printed in tritones at Meridian Printing on paper made in Toulouse, France. The plates are scaled to reflect the relative size of the original photographs; the book and slipcase are bound in a linen cloth made in the Netherlands. It is a fitting tribute to Ansel Adams' art.Adams' pictures define for me what the term landscape means. This is a great collection of his work and should serve provide a firm foundation for Adams' elevation from a photographer to an artist.
A beautifully presented and boxed/packaged volume with a wonderful accompanying text. This is a great buy at an excellent price. This does not mean that one should ignore the other Ansel Adams that are available through Amazon. "Ansel Adams: Yosemite and The High Sierra" is also a must buy for anyone loving this photographer.
I got this for a penny so I think it is a steal. The tri tone prints in this book are well done and there are a lot of Ansel Adams photos to look at. I would recommend this to anyone interested in black and white photography Even if its just to see what the hype about Adams work is all about.
If you can only afford to buy one photo book / coffee table book this year . . . this is the book to buy. Period. This oversized book is beautifully reproduced and lovingly bound to last for ages; a commemorative print, not available elsewhere, is reproduced as a separate plate -- suitable for framing, which is a nice touch: Who among us can afford an original Ansel Adams photograph? As beautiful as this is as an example of book-making, its real value lies in the selection of photos.Of course, no two photographers will ever agree as to what photos should have been included in this massive retrospective -- outside of the obvious ones like "Moonrise Over Hernandez County" -- but every photographer who looks at this book should find inspiration in Ansel's inimitable "eye" that saw, and captured on film, the ordinary and transformed it into the extraordinary; a photographer who saw the extraordinary and transformed it into the sublime.As for the text: I think an academic perspective is certainly appropriate for such a retrospective, but I would dearly have loved to see a piece by, say, Joseph Holmes (NATURAL LIGHT--a gorgeous collection of photos) or another photographer to give it, so to speak, a "through the lens" perspective.Although there are other coffee-table sized books published of Ansel Adams's work, this one sets a high watermark and, as such, should find a permanent place in the library of every serious photographer, aspiring photographer, or anyone with a sense of beauty who can appreciate the rare and wonderful talent that is Ansel Adams.
Great book - came in great condition - can't go wrong.
Excellent purchase. Extremely pleased.
The book is very well produced, with the reproductions as good as any you are likely to find outside an original photograph. The only criticism I have relates to the publisher's claim that this is "one of the most beautiful books ever made." Compared to what? The Gutenberg Bible, for instance?? Such a claim creates expectations that must inevitably lead to disappointment. But rest assured that it is a very well made book which feels substantial and the whole production, including most importantly, the pictures, are of the highest possible quality.
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